Machine generated contents note: |g1.|tIntroduction -- |g2.|tHaunting of Film Theory -- |g3.|tLight and Lies: Screen Practice and (Super-) Natural Magic -- |g4.|tStrange Case of George Albert Smith: Mesmerism, Psychical Research and Cinema -- |g5.|tAesthetics of Co-registration: Spirit Photography, X-rays and Cinema -- |g6.|tMelies's Skeleton: Gender, Cinema's Danse Macabre and the Erotics of Bone -- |g7.|t"Living Pictures at Will": Projecting Haunted Minds -- |g8.|tConclusion: Lost Worlds, Ghost Worlds.
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Machine generated contents note: |g1.|tIntroduction -- |g2.|tHaunting of Film Theory -- |g3.|tLight and Lies: Screen Practice and (Super-) Natural Magic -- |g4.|tStrange Case of George Albert Smith: Mesmerism, Psychical Research and Cinema -- |g5.|tAesthetics of Co-registration: Spirit Photography, X-rays and Cinema -- |g6.|tMelies's Skeleton: Gender, Cinema's Danse Macabre and the Erotics of Bone -- |g7.|t"Living Pictures at Will": Projecting Haunted Minds -- |g8.|tConclusion: Lost Worlds, Ghost Worlds.
