| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | Leeder, Murray | |
| dc.date.accessioned | 2020-08-26T09:26:54Z | - |
| dc.date.available | 2020-08-26T09:26:54Z | - |
| dc.date.issued | 2017 | |
| dc.identifier.isbn | 9781137583710 | |
| dc.identifier.uri | http://repository.vnu.edu.vn/handle/VNU_123/92366 | - |
| dc.description.abstract | Machine generated contents note: |g1.|tIntroduction -- |g2.|tHaunting of Film Theory -- |g3.|tLight and Lies: Screen Practice and (Super-) Natural Magic -- |g4.|tStrange Case of George Albert Smith: Mesmerism, Psychical Research and Cinema -- |g5.|tAesthetics of Co-registration: Spirit Photography, X-rays and Cinema -- |g6.|tMelies's Skeleton: Gender, Cinema's Danse Macabre and the Erotics of Bone -- |g7.|t"Living Pictures at Will": Projecting Haunted Minds -- |g8.|tConclusion: Lost Worlds, Ghost Worlds. | |
| dc.format.extent | 216 p. | |
| dc.language.iso | en | |
| dc.publisher | Palgrave Macmillan | |
| dc.rights | © The Editor(s) (if applicable) and The Author(s) 2017 | |
| dc.subject | Motion pictures -- History ; Supernatural in motion pictures ; Supernatural|xHistory -- 19th centur | |
| dc.subject.ddc | 791.4367 LEE 2017 | |
| dc.title | The modern supernatural and the beginnings of cinema | |
| dc.type | Book | |
| Appears in Collections: | Nghệ thuật & Ứng dụng | |
Readership Map
Content Distribution
| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | Leeder, Murray | |
| dc.date.accessioned | 2020-08-26T09:26:54Z | - |
| dc.date.available | 2020-08-26T09:26:54Z | - |
| dc.date.issued | 2017 | |
| dc.identifier.isbn | 9781137583710 | |
| dc.identifier.uri | http://repository.vnu.edu.vn/handle/VNU_123/92366 | - |
| dc.description.abstract | Machine generated contents note: |g1.|tIntroduction -- |g2.|tHaunting of Film Theory -- |g3.|tLight and Lies: Screen Practice and (Super-) Natural Magic -- |g4.|tStrange Case of George Albert Smith: Mesmerism, Psychical Research and Cinema -- |g5.|tAesthetics of Co-registration: Spirit Photography, X-rays and Cinema -- |g6.|tMelies's Skeleton: Gender, Cinema's Danse Macabre and the Erotics of Bone -- |g7.|t"Living Pictures at Will": Projecting Haunted Minds -- |g8.|tConclusion: Lost Worlds, Ghost Worlds. | |
| dc.format.extent | 216 p. | |
| dc.language.iso | en | |
| dc.publisher | Palgrave Macmillan | |
| dc.rights | © The Editor(s) (if applicable) and The Author(s) 2017 | |
| dc.subject | Motion pictures -- History ; Supernatural in motion pictures ; Supernatural|xHistory -- 19th centur | |
| dc.subject.ddc | 791.4367 LEE 2017 | |
| dc.title | The modern supernatural and the beginnings of cinema | |
| dc.type | Book | |
| Appears in Collections: | Nghệ thuật & Ứng dụng | |
